{"id":783,"date":"2016-11-15T06:46:12","date_gmt":"2016-11-15T06:46:12","guid":{"rendered":"http:\/\/ulysse.pro\/?page_id=783"},"modified":"2017-12-11T19:42:33","modified_gmt":"2017-12-11T19:42:33","slug":"au-fil-du-pinceau","status":"publish","type":"page","link":"https:\/\/ulysse.pro\/?page_id=783","title":{"rendered":"Au fil du pinceau"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/113715272\" width=\"1080\" height=\"608\" frameborder=\"0\" title=\"Au fil du pinceau\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p>Au fil du pinceau.<\/p>\n<p>Ulysse suit Pierre Alechinsky tout au long d\u2019une exploration en territoire inconnu\u00a0: la blancheur d\u2019un grand papier, 193 x 305 cm. Ce film, presque muet, sans accompagnement musical, mais sonore quant aux bruissements de l\u2019action, se d\u00e9roule dans une logique propre \u00e0 la discipline d\u2019une triade\u00a0: encre, pinceau, papier. Devant une cam\u00e9ra qui capte au fur et \u00e0 mesure une kyrielle de d\u00e9cisions improvis\u00e9es \u2014 h\u00e9sitations, interventions, exag\u00e9rations, r\u00e9flexions, introductions, inspirations, corrections, irruptions, expirations, acc\u00e9l\u00e9rations, interruptions, respirations \u2014 les avanc\u00e9es, les retraits et les \u00e9lans du peintre s\u2019imposent \u00e0 nos yeux jusqu\u2019\u00e0 la conclusion finale. Sur le rectangle d\u2019origine, le papier de Chine, et sur le rectangle de destination, l\u2019\u00e9cran, chaque trait trac\u00e9, invent\u00e9, int\u00e9gr\u00e9, modifi\u00e9, joue sa partie. D\u2019habitude nous ne connaissons que le dernier \u00e9tat d\u2019un tableau, la derni\u00e8re strate. Cela donne \u00e0 penser que tout tableau achev\u00e9 est un \u00ab\u00a0arr\u00eat sur image\u00a0\u00bb.<\/p>\n<p>Id\u00e9e originale,<br \/>\nR\u00e9alisation, images et montage:<\/p>\n<p>Ulysse Dikoum\u00e9 A.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Au fil du pinceau. Ulysse suit Pierre Alechinsky tout au long d\u2019une exploration en territoire inconnu\u00a0: la blancheur d\u2019un grand papier, 193 x 305 cm. Ce film, presque muet, sans accompagnement musical, mais sonore quant aux bruissements de l\u2019action, se d\u00e9roule dans une logique propre \u00e0 la discipline d\u2019une triade\u00a0: encre, pinceau, papier. Devant une [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-783","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"Au fil du pinceau. Ulysse suit Pierre Alechinsky tout au long d\u2019une exploration en territoire inconnu : la blancheur d\u2019un grand papier, 193 x 305 cm. Ce film, presque muet, sans accompagnement musical, mais sonore quant aux bruissements de l\u2019action, se d\u00e9roule dans une logique propre \u00e0 la discipline d\u2019une triade : encre, pinceau, papier. 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